And if you’re as spellbound by those infectious grooves as we are, check out Soundfly’s conversation with Dan Freeman on the beat-making techniques of Quincy Jones here.
“Mona Lisa”: Um, this is 2018, guys, ain’t fooling me, there’s about to be some serious feelings going on. What is fooling me, though, is what to call the repeated lyrical hooks — there isn’t much here to grab onto: just a two-bar refrain or chorus, with an “I be with b*tches” motif that doesn’t fall in the same place relative to anything else in these epic story verses. So, yeah, I’m left with nothing solid to call them. Other than that, we’ve got an empty-bar tag before Kendrick’s verse to point out, which Lil Wayne soon takes back, gushing more feelings than any of all these 2018 “feelings” songs.
Consider what one person can accomplish musically on a MacBook alone. With a DAW (digital audio workstation) like Ableton Live or Logic Pro, a few royalty-free sample packs, some cheap-to-free VSTs/plugins, and a bit of a musical ear, the “bedroom producer” now has all the ingredients she needs to create commercially viable music.
Individual artist grants 2018
It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.
Harmonically, the “majorness” of the V chord is pretty weak, as you can barely hear the major third. And yet the harshness of the iiº chord in the intro is masked by the sweet flute-like tone. Lots of anomalies. Another anomaly is just how fast this song rose in the charts, and how even faster it then dropped, going from #5 to #60 to #91, and then who knows where.
If you’re a jazz musician you’re also probably transporting your equipment to a ton of gigs, so getting something portable is a good idea. Here are some of my favorite choices for playing jazz:
If you need it for when you finally get around to starting that ’90s throwback stoner metal project, it’s fine to save it for a rainy day. But if there’s nothing on the horizon where it would be useful it’s probably not doing you much good.
My intro-level music tech classes usually include a wide range of production and songwriting abilities. Some students have never used a computer for any creative purpose whatsoever, while others are already accomplished bedroom producers or DJs. I get tracks that are complete, polished works of art, and tracks that are in total shambles. So rather than try to compare these efforts to each other, I use a growth mindset.
Songtrust can help. Register for Songtrust, and use promo code STSoundfly for 10% off! If your music is already on Spotify, go ahead and estimate your earnings here.
The fact that among all modes, these two were chosen as the pillars of our system, resulted from a predominance in the use of these two scales from the Baroque Period onwards. To put it differently, the modes above share all the same notes, but since they start from a different degree of the major scale, each mode has a slightly different construction, and feel to it.
Course: The Art of Hip-Hop Production
While the major scale is ubiquitous in contemporary western music, don’t let yourself feel too much pressure to master it right away. It’s a complex and nuanced scale like the rest of the white-key scales, and it will become more intuitive the more the time you spend composing with it.
Like the tonality, the tempo here is also slippery. I’m calling it 119, and not 59 BPM. Usually the snare on the 2 and 4 is the king that decides meter in pop and rock, so it’d be 59 BPM. However, the lyrics are delivered so quick that I just gotta go with the more double-time feel. It’s right in the BPM sweet spot where either tempo label works. Last, we have some creative treatments of the choruses. The first chorus is really a half-chorus with an added measure (very cool!), and then it’s a regular chorus when it comes back around. And then when it finally comes back around at the end, you gotta call it “C2” (chorus variation) because of how it’s modified to act as the song’s outro.