Similar to social media platforms, it’s easy to get fixated on increasing your total number of likes, followers, or views. While it’s always encouraging to see these numbers go up, the truth is that these are just vanity metrics — or, in other words, things you can measure that, while not completely meaningless, don’t matter all that much in the grand scheme of things.
“Chameleonic, hypnotizing, and utterly irreplaceable, David Bowie was more than just a pop star. More underdog than diamond dog, he was an inspiration to millions: a hot tramp from the streets of London, who proved that anything’s possible when you follow your dreams.”
Why do some songs tug on our heartstrings while others fall flat? Conveying moods and emotions is a key element of making great music, and doing it well requires a deep understanding of chords and harmony. It’s what allows modern music producers and songwriters to convey a sense of danger, triumph, or melancholy.
Grants for female artists 2020
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“The introduction of the first dissonant tone (the seventh partial), signifies that in this life some ‘dissonance’ must be mixed in; the number seven represents the totality of heaven and earth together” (Chafe, Allegorical Music).
You see, “Sorry” is written in E♭ major (a key that boasts the same number of flats as C minor, more on this later). This means E♭ major is the tonic or “home” chord, thus all of the melodic and harmonic content is being created from the E♭ Ionian (major) scale.
In a song that was spliced together from the independent compositions of different feuding band members, John McVie’s contribution takes prominence here at the end. Played along an E minor scale, it starts with a long A and ascends to the C, before descending via a run of notes to resolution on the E. Simple yet effective, especially with the repetition, it builds up with intensity into a driving tempo over Mick Fleetwood’s drums. But one thing that shouldn’t be overlooked is how much musical tension is created between the bass and the lead guitar as a result of what I call “reverse” pedal point.
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One of my personal favorites in the digital distortion category is the Digitech Hot Rod. It’s cheap enough to try out in your shoegaze setup, and has settings to make your sound both very thin, scratchy ,and dirty, as well as fat and warm. Scott Cortez of the lo-fi shoegaze band Astrobrite uses one. And so I do…
Datsounds’ OBXD is an emulation of the famous Oberheim OB-X, OB-Xa, and OB-8 synthesizers. It features a continuously blended multi-mode filter that allows you to shape the EQ of your sounds easily, as well as a random micro-detuning feature that emulates oscillator drift, which was common in the original analog synthesizers. This plugin comes with three different color themes that you can choose from, depending on your own mood drift. While this synth does not come with any internal effects, it can be paired with delays, reverbs, and choruses in the DAW to enhance its sound.
Planning your next cross-country tour? Here are 8 cities where you’re guaranteed a great, youthful, and excited audience, and a variety of spaces to boot.
Got 10 minutes to learn about the history of the drum kit as we know it today? We talk about how individual drums, players, and genres helped the kit evolve.
I get that — creating something new is scary. You aren’t sure what people will think of it, and you’re worried it will be received negatively. There’s value in taking influence from your favorite musicians, but by copying them, you’re putting yourself in a position where if your music were to suddenly disappear, nobody would miss you as a guitarist because they can easily find your sound somewhere else.